Tuesday, August 19, 2014

Prologue

BOOK ONE
1966-1975

“For who knows what is good for a man in life during the few meaningless days he passes through like a shadow? Who can tell him what will happen under the sun after he is gone?”

                                                                                                Ecclesiastes 6:12

PROLOGUE
He felt life slipping away from the knife wound below his heart. The old man’s eyes glazed as he lay in the alley against the concrete building. No help was coming. The sun was struggling through the smog to give light, but the shadow of death was winning. He struggled up on his hands and knees.
Behind the Dumpster lay a young man with multiple stab wounds. The older man tried to focus.
“I’m sorry,” he said softly to the body of his friend. He reached for the white New Testament in his coat. It came out red and sticky. A spasm of coughing speckled droplets of blood on the pages. “Forgive me,” he sighed. The numbness kicked in and his body rolled on to the hot concrete.

MAIN CHARACTERS:
Cory Stilling-An actress. Beautiful, talented, Cory is a strong Christian who puts God ahead of a career.
Josh Smythe-An actor. He’s got the looks, the talent, and an ego to match.
Paul Morgan-An agnostic. He is a struggling student at a Christian college.
Senta Bergstrom-She has a God-given talent for singing, but drugs are her main source of worship.

Judd Wagner-An atheist. He is the best stuntman in Hollywood, and depends on his athletic prowess to make a living. He does not give God the credit for his talents and physical abilities.
CHAPTER THREE-CORY STILLING
The Farmer’s Market 1971
It would not stop raining. The streets near the Farmer’s Market were flooding over and the traffic had grounded to a halt. Sunny California thought Cory. At least it beat the snow in Minnesota. The driver behind her gave an impatient honk. Cory looked in her rearview mirror at the man in the red Ferrari. He was probably a producer late for a meeting. He honked again. She held up her hands. What can I do mister? I can’t move until the cars in front of me move.
Cory Stilling had been in Hollywood for five years. In that time, she had done three films and had various roles on TV. The two national spots for Chevrolet and Ultra-Brite toothpaste made her enough money to live comfortably. She turned down a very well paying beer commercial and a generous offer from Playboy magazine. She also turned down a film role in a prestigious, all-star film, because the part required nudity.
So was the life of a Christian actress in Hollywood. Cory did not regret the work she turned down. God had more than provided her with opportunities. What if I hadn’t gotten any work at all? She wondered.  Would I still be in Minneapolis? Chicago, maybe? She had steeled herself to be a starving actress when she made the trip west, but God had blessed her.
Unlike many actresses, Cory did not suffer many dry spells. In fact, life in Hollywood had been relatively easy for her. She knew that even if she had to struggle and take odd jobs, she would not succumb to the casting couch. She would refuse jobs that didn’t fit her moral code. Surprise, surprise, Cory found her niche in the lucrative TV commercial world.
The oldest of five children, Cory left her big, happy family for the bright lights of La La Land. She had natural beauty and an abundance of talent. And she had a desire to use God’s gifts in the proper way. Her mother was against the bold move.
“Cory, honey, that town is a cesspool,” said Mrs. Stilling. “There are temptations around every corner. Please don’t go.”
 Her father, a preacher, was all for it. “Find your way, Cory,” he told her. “And God will lead you in the right direction as long as you keep Him in your life and do His will.”
She was very satisfied with her well paying career. Instead of buying a flashy car and a home in Bel-Air, she lived modestly with a second hand car and her simple wood frame rental house near the Market. Her money went to the City of Angels Christian Church and to various charities. She donated several hundred Bibles to the inner city, along with clothing and food. What she had left over, she invested. Cory was a Wall Street junkie. She lived and breathed the Dow Jones and studied the business world. As a young girl, she spent long hours with her uncle who was a broker. He explained the types of investments and risks that were involved in high finance.
“Earl, don’t bore poor Cory with your shoptalk,” Aunt Lana said.
 Cory, who was sitting at the foot of Uncle Earl as he sat in his easy chair, waved her off. “Oh no, Aunt Lana. I find it all very fascinating. It’s like the wonderful things you can do with math, except that it translates into shops, hospitals, beef, all sorts of neat stuff.” Aunt Lana arched a cynical eyebrow at her niece. 
Uncle Earl chuckled as he filled up his pipe. “Don’t inhibit the child, Lana. This girl is going to become the Financial Wizard of Wall Street.”
 Cory gave a delighted laugh. “What about that blue chip thing Uncle Earl?”
So when Cory had a little money, she found companies that were safe investments and multiplied her wealth making her very comfortable financially.

Despite her solid career and finances, Cory wasn’t completely happy. Her single status was not in her life plan. Cory wanted a family. She wanted children. She avoided the actors and directors who constantly hit on her. She tried dating some of the young men at her church, but they were intimidated by her beauty, self-confidence and semi-celebrity status. She dated a guy named Don for about four months. It was her longest relationship in California. Once as they were leaving a movie theatre, Don asked, “What if you become really famous like Julie Andrews or Audrey Hepburn?”
“I’ll be about ten times richer,” she laughed. 
Don looked troubled. “Yeah, but I want to have kids and a home,” he said.
“Me too,” Cory replied seriously.
“I don’t know Cory. Do you think you can handle being famous? I mean really being famous?”
Don opened the door for her and she got into the blue convertible. She was quiet for the first two blocks as they drove towards her place.
“What are you thinking?” he asked.
“About your question. The answer is yes. I could handle it.” Cory looked out at the endless string of clubs and restaurants on Santa Monica Boulevard. “But that’s not the question Don.”
“What is it then?”
“The question is, could you handle it?” 
His hands tightened on the steering wheel. “I think I could.” 
Cory’s voice was calm and low. “Do you think you could handle the photographers, the time consuming interviews, the attention other men would give me?”
 Don’s face turned red. “I think I could.” His voice was hard, full of bravado.
Cory kept her eyes on the street ahead. Don was nice. He was a good Christian, except for one fault. He had a jealous streak. Cory knew it would be tough on anyone who married her. And she was very choosy, despite the burning desire to marry. She wouldn’t marry just anyone.

Long before Cory moved west, she depended on God to show her the way. If He let her have success, she would deal with the down side of it. If she couldn’t find acting work and had to do odd jobs, that was okay too. Her battle wasn’t dealing with a career, but finding a man who could deal with it. Cory hoped and prayed she’d find the right mate. Even knowing that she was in His hands didn’t always temper her frustrations. She was beautiful, well off and respected. But maybe she wasn’t supposed to be here. Maybe Los Angeles was not her future. After five years, she was still looking for the right person to share her life.

Cory dashed out of her car with the groceries. The rain had let up, but it was still a watery trek to the front porch. Unlocking the door, she heard the phone ringing. She dropped the wet grocery sacks on the couch and hurried to the wall phone in the kitchen. She grabbed the receiver. “Hello?”
“Cory, good news.” It was her agent, Kiki.
“What’s up, Kiki?”
“Wayne Hampton wants you for “The Lancer Ultimatum”. You’re in, sugar.”
Wayne Hampton. She had forgotten about that audition. It had been two months ago. He called her back to read for the part of the younger sister. It was a great role. It was a career-making role. And everyone in Hollywood wanted to work with Hampton. This young director was the flavor of the year. His first three movies were all in the top ten grossing films of all time. Hitchcock was the master of suspense, but Wayne Hampton was being called The Titan of Tension.  In the vein of such thrillers as “The Andromeda Strain”, Wayne Hampton was an old pro at putting audiences on the edge of their seats.
“The Lancer Ultimatum”, Cory repeated.
 Kiki was trying to keep the excitement out of her voice and failing miserably. “This could get you an Oscar nomination, Sweetie.” Cory felt a sensation around her ankles. Her gray cat, Doll had silently wandered up and was gently rubbing against her. “And here’s the best part,” said Kiki. “I’ve got you a hundred and fifty thousand, plus points.” Cory reached down and picked up Doll.
“You’re kidding.”
“Points, Cory! Points in a Wayne Hampton picture. I am so good, I cannot stand myself.”
“How did you do it, Kiki?”
“I convinced them you’re going to be bigger than Julie Christie, Streisand, Ann-Margret, all of them. This movie will make us both rich!”
“Calm down, Kiki. I’m thrilled and thanks a lot. You are the best. Do I have script approval?”  Kiki’s voice dropped an octave.
“I’m not a miracle worker kiddo. What do you want?”
“Well, I read a few scenes at the audition. I read a couple more at the call back. It’s a dynamite part, but I’d like to read the whole script.”
“Don’t worry dear. You play the younger sister who betrays her country while putting her older sister in danger with the communists. It’s a fool proof part.”
“Yeah, that sounds like me.”
“And I stipulated that your character will not have a nude scene.” 
This is what Cory was waiting to hear from her agent. “Thanks Kiki. How about the language?”  There was silence on the other end of the line. Finally Cory heard Kiki let out a resigned sigh.
“You will drive me to the Loony Bin for Agents.”
“I thought that’s where you are now, Kiki.”
“Ha. Ha. Be at Global Productions on Tuesday at 9:00. We’re signing contracts and making it a publicity moment. For the film, not for you.”
“Kiki, you cut me to the quick. You know I have no ego.”
“You have an ego. You just don’t show it.”
“See ya, Kiki. And thanks again.”
Cory hung up and touched her nose to Doll’s.
“We’re going to be rich and famous, yes we are.” She walked over to the window, watching the rain, rubbing Doll behind the ears. She looked up into the grey clouds. A tear rolled down her cheek. It was not a tear of sadness, but of deep gratitude.
“Thank you Lord. Thank you for Thy love. I don’t deserve your goodness or the bounty you provide me.” Her heart was full. Life was too good for her. Cory put Doll down and started unloading the groceries.


Monday, August 4, 2014

Chapter Two - Paul Morgan


“Immediately the boy’s father exclaimed “I do believe, help me overcome my unbelief!”
                                                                        Mark 9:24
New Men’s Dorm-Summer Semester 1967. Granger Christian College sat on the banks of the Pecos River about a hundred and thirty miles east of El Paso. Being a church school, it was private and cost money to attend. Churches all over the southwest supported the school of five thousand with generous donations for hardship scholarships so that the poor could attend and get a Christian education. The scholarships were limited and the student had to supplement it by working part time, but the program helped applicants with stressed finances.
The college was the cultural center of Sparta, Texas. Sparta was a town of about fifteen thousand. It was a place where travelers zipped through on the way between Odessa and El Paso. The main drag was the town square where all of the shops and businesses surrounded the courthouse. The Cactus Theatre showed first run movies about a year after the rest of the country had seen them. The Pecos Malt Shop and Taco stand was a major hangout across from the courthouse. The summers were as hot as the desert that surrounded the town. The winters could be bitterly cruel. Sparta was the perfect place to harvest young Christians and keep them away from big city pleasures and temptations.
Although it was a “preacher’s school”, Granger offered degrees in English, History, Physical Education, and of course, Bible. Students were required to take at least six hours of Bible no matter what their major was.
Bible, Geology and History weren’t on Paul Morgan’s mind as he sat in his dorm room on the third floor. He feverishly poured over the figures one more time.
“I can’t make it add up,” he said to himself.
A rock station in El Paso was part music; part static as it played on the small, red Emerson that sat on the open windowsill. From his window, Paul could see the water tank in Sparta. The pale green structure looked like an ominous moon hanging over the townscape. Night crickets serenaded him as he scratched the numbers on his pad.
Paul was stumped. He chewed on his eraser. No matter how he added it, he was still going to be short of funds for the fall semester. Taking twelve hours during the summer had gotten him closer to a degree in American History. It looked like he was going to have to step out a year and work. That was no problem. The big problem was the draft. If he dropped out, he would lose his student deferment and Viet Nam was open for business.
The radio crackled with the far off voices of the Beatles singing “Eleanor Rigby”. How did he end up in this podunk town and college prison with no money? Of course he had come from a podunk town. And yes, this college was a prison. It had curfews and dress codes and plenty of  “Amens” were heard on campus. Paul had wanted to go to film school with his friend, George Tobin. Unfortunately, he didn’t have the money. In high school, he and George made some eight-millimeter films. They were mostly comedies and World War II epics of ten minutes or less. George had an editing room in his garage and the only disability they had was no sound.
“Some day they will make home movie cameras with good mics and we can actually write scripts with dialogue,” George had promised. 
“Good,” said Paul. “I’m tired of printing out the title cards.”
“That’s because you have very good handwriting.”  Paul gave his friend a sidelong glance. Doing the title cards was an arduous process.
“Your handwriting isn’t so bad,” said Paul.
“Yes, but I’m busy editing.” Paul had to admit George was a whiz with the camera and all of the equipment. Paul was the idea man. He came up with the stories and George directed them.
It was Paul’s idea to try their hand at documentary film making by doing a movie on the inner workings of city hall in their town of Half Moon Bay, Louisiana. They got special permission by the city manager and spent a week in the two story pre-Civil War courthouse that dominated the town skyline. Paul interviewed the workers about their various jobs and functions. As Mr. Briggman, the registrar of voters explained the election process, George interspersed pictures from their history books of the signing of the Declaration of Independence, the Boston Tea Party and other seminal events. This kept the dry recitation from putting the average viewer to sleep. When the Mayor saw the film, he suggested that every civics class in the high school watch it. 
Paul’s family was dirt poor. George was from a middle class home and spent all of his allowance on the used moviola, film and lights. Together, they learned the art of cinematography and editing. As producer/director, George persuaded classmates and relatives to take roles in their films. Paul had a talent for writing sight gags that kept down the title card production. During their senior year, George’s rich uncle gave him a sixteen-millimeter camera. It also had an interior microphone. They planned to shoot a serious documentary about pollution on the bayou. It would be a forty five-minute masterpiece with sound. Paul wanted to shoot some scenes in black and white for the history part of the bayou, and intercut it with color for the scenes of the present day.
“When we interview the saw mill foreman, hold the camera at a slant,” Paul told George. His friend shook his head.
“That’ll be distracting.”
“No, it’ll be great. We know they’re dumping bad stuff into the river. Let the foreman tell his side. We won’t censor him, but the crooked camera angle will be a subtle reveal that he’s lying,” George smiled and nodded.
“Yeah, I get it.  It’s not conventional, but it might work.”
The project was killed when the boys were not allowed to film at the sawmill. Before Paul and George knew it, the summer after their senior year arrived. George was planning to go to UCLA and enroll in film school. Paul’s options were limited. There was a junior college twenty miles away, but the tuition was still a lot for Paul’s family to afford. LSU and the other state schools weren’t much better.
He heard of Granger Christian College through a classmate who starred in their western, “Boots for a Dead Man”.
“It’s dirt cheap if you can get a hardship scholarship,” he told Paul. “Books are half price, the dorm and meals cost next to nothing, but you won’t do much film there.”
“What degrees do they offer?” Paul asked. 
His friend laughed. “Mostly Bible. My cousin goes there and loves it. He says it’s just like the Marines. You get demerits if your hair is too long. And no facial hair is allowed. Daily chapel attendance is required and if you’re out past curfew or caught kissing a girl on campus, they lay the heavy timber on you.” Paul wasn’t sure what “the heavy timber” was, but he sent off for a brochure of the school. He found that it offered a degree in history. His three-point grade average helped to qualify him for the hardship scholarship. Paul sent his application to Granger in February of his senior year. After a series of forms concerning family income and work applications at various Sparta businesses, Paul was accepted.
Now, as he sat in his dorm room, he realized he couldn’t afford it, even with the hardship clause. Paul stubbed out his cigarette and turned the fan on. Smoking was against the rules, and his roommate would be in soon. Not that Allan would turn him in. Allan was a Bible-banger and had spent the last two and a half years trying to save Paul’s soul.
“It’s not that I don’t believe, Allan…” Paul had told him.  “…I just don’t believe in what you believe in.”
Allan was not pushy, but he had continually spoken to Paul about accepting Jesus as his savior.
“I know you believe in a higher power, Paul. Can’t you see that Christ died for you? He’s inside you. He’s in your heart, I know it.”
In the early years, these religious discussions were spirited arguments. Paul respected Allan’s convictions. He just didn’t feel God worked the way the Granger students advocated. As Allan and he grew comfortable with each other, a deep friendship was forged. Allan never gave up trying to save his soul and Paul refused to compromise his agnostic beliefs.
As Paul lingered over his financial figures, his eye caught the reflection of his portable typewriter in the mirror. There was a piece of paper stuck in it. He turned around and reached for the paper, pulling it out. Paul smiled at the four words typed on the page. KEEP CHRIST NEAR YOU.
“You never give up, do you pal?”
During Christmas vacation and breaks, they wrote each other. Allan always closed his letters with the salutation of those four words, “Keep Christ Near You”. It was not unusual for Paul to find the familiar note in his shoes, desk drawer or Western Civ book. Once, when he walked out to his car that needed washing, Allan had written KEEP CHRIST NEAR YOU on the dirty trunk. Someone had seen it and added an AMEN to it.
He went back to his figures. He could get a second job, but juggling two jobs and a semi-full academic schedule was almost impossible. And the greasy spoon where he flipped burgers would get busy once the fall semester started. He really needed to concentrate on getting his degree. Then there was his mother. She had been in and out of the hospital the past six months. He was sending money back to Louisiana because his deceased father’s insurance wasn’t enough to pay the bills.
He could hear voices in the hallway outside. The third floor devotional was finished and Allan would be in soon. Paul stuck a couple of sticks of Dentyne into his mouth. The smoke from his Marlboro had almost dissipated. “Light My Fire” was screaming in a small voice from Jim Morrison at the Big KWAC in El Paso.
The door flew open and the voices in the hallway were louder.
“Goodnight gentlemen and I use that term loosely.” Allan James stuck his face in the door and clopped across the room in his sandals. “Since you weren’t at the devotional, I figured you were in here solving the world’s problems. How’s that cure for cancer coming?”
“Almost got it,” said Paul. 
Allan flopped on his bed, letting his heavy legs hang over the edge. He ran his fingers through his blond, reddish hair. “You missed a good devotional.”
“Do you ever have a bad devotional?”
“We read Jesus’ Sermon on the Mount and prayed for the boys in Vietnam.”
“Very patriotic of you, Bigfoot,” Paul said affectionately. 
Allan sniffed the air. “You’ve been smoking.”
“Have not.”
“Have too. You’re going to hell in a hand basket.”
 Paul smiled. “At least when I go to hell, I’ll be millions of miles away from your nagging.”
“True, but it won’t be as fun as heaven.”
Physically, the thin, six foot tall Paul towered over Allan who was five foot six in his cowboy boots and carried a hundred and ninety pounds on his ample frame. His pale, doughy face was a contrast to Paul’s ruddy, handsome features. Walking across campus, the two made an amusing sight, cutting the figures of physical opposites. Now, Paul sat at his desk, mulling the fatal money figures.
“Hey Bigfoot, we’ve got to talk.”
 Allan did not miss the serious expression on his roommate’s tired face. “Let’s hear it.”
“I won’t be coming back for the fall semester.” 
Allan felt a chill. “What’s the problem? My snoring getting too loud?”
“Well…yes, that too. But if it were just the snoring, I could fight it out. Unfortunately, it’s the usual problem. Money.” 
Allan gave an inward sigh. “Oh man.” He knew that Paul worked like a slave to stay in school. Ever since their freshmen year, Paul had worked at one job or another. Allan had prayed on the matter and loaned Paul money when he could. Of course Paul had too much pride and always paid him back in unique ways. While Allan left KEEP CHRIST NEAR YOU notes in Paul’s books and cigarettes, Allan found money in his shaving kit, Bible and golf bag. “You realize if you drop out, you’ll end up in Vietnam.” 
Paul gave a rueful smile. “At least I’ll know you’ll be praying for me. Who knows? Maybe I’ll be drafted and sent to Paris.”
“Yeah, maybe,” Allan said dejectedly. “Maybe my church could help. They’re supporting me.”
“You’re going into the mission field, Bigfoot. Your church doesn’t need a history teacher.”
They were silent, thinking over the problem.
 Paul stood up and stretched. “Well, I’m paid up through August. Maybe something will come up.” Allan nodded slowly. Paul Morgan had had a tough go at it. Despite the curve balls life had thrown at him, Paul remained optimistic and resilient. Allan admired that. On their first night in the dorm, he found out a lot about his new roommate.
Paul lost his father to a drunk driver when he was only three. He and his mother lived on a bayou on the Texas-Louisiana border. Most of what they ate was the fish they caught in the bayou and the vegetables in their garden.
As their friendship grew, Allan spent many a weekend at Paul’s house. It was a two-room shack with a tin roof and no air conditioning. His mother was a thin, undernourished looking woman who constantly coughed while holding an ever-present cigarette in her hand. She earned money sewing for the people of Half Moon Bay. Most of the time, Paul didn’t have money for the cola machine. And now, it had run out. What more could he do?
One of the guys from down the hall stuck his head in the door. “Hey Morgan. Phone call for you.”
“Thanks,” said Paul. He looked over at Allan who was studying a loose lace on his sandal. “That could be Mr. Huggins. He said he might have a night job for me at the warehouse. It might be just enough for another semester if I take half a course load.”
“Don’t overextend yourself buddy.”
“Never,” said Paul as he hurried down the hallway.
With his roommate gone, Allan got up and scribbled, KEEP CHRIST NEAR YOU on a piece of typing paper. He folded it up and went to the closet. He put the paper in the pocket of Paul’s jacket. On the radio, the DJ chortled, “You can win up to ten bucks a week when you listen to the Big KWAC! That’s right! Whenever you hear Gary Lewis and the Playboys back to back, give us a call and you could be a winner!”
A winner thought Allan. Paul needed a winner. Allan turned off the radio and bowed his head. He prayed aloud. “Dear Father, please help Paul stay in school. He’s had such a hard time and he’s trying, he’s really trying.” The rest of the prayer was silent. He didn’t hear Paul come back into the room and reach for his suitcase under the bed.
“I’ve got to go.” 
Allan looked up. “What?”
“I said, I’ve got to go.” Paul went into the closet and started pulling out clothes.
“What’s going on?”
 Paul’s face was pale. “My mother died.”


Chapter One - Josh Smythe


Woe! Woe, oh great city, O Babylon city of power! In one hour, your doom has come. 
                                                                                      Revelation 18:10


Just off Hollywood Boulevard-1966. The outer office was small and cramped. A quiet tension hung over the actors who were silently memorizing the script. Most of those auditioning found a place to sit on the floor or stood out in the hall. The dialogue was for a young man and woman extolling the virtues of Botts Sugar Waffles in a sixty-second TV spot.
A low murmur of the words, “Botts is the best way to start your day” hummed among the actors as they committed the script to memory. In the corner, a young man of twenty, screwed up his eyebrows in intense concentration as he looked up from the script and repeated…”Botts Sugar Waffles is a family favorite.”
As soon as Josh Smythe entered the room to sign in, all eyes looked up from the scripts. Most of the females kept their eyes on him as he laid his picture on the sign-in desk and wrote his name next to the number “44”.
“Number sixteen?” called the casting director from the next room where they were reading the actors.
“That’s me!” said an over-anxious young woman who came tripping through the room. She fell into Josh’s arms just before she got to the door. She took a half-second to gaze into his eyes before breaking away. “Sorry!” she said as she ducked past the casting director and into the audition room. The casting director gave a fast once over of the actors waiting in the room, then he closed the door behind him.
Josh recognized the lady manning the sign-in desk. She was an actress as well. Her eyes met his and held. “Long time, no see, Josh.”
 He couldn’t remember her name. “We’ve got to stop meeting like this,” he said. 
Another young actress, who had come in right behind Josh, waved her hand at the lady. “Can I sign in please? I’m on a lunch break.” 
The woman ignored her as she kept her eyes locked on Josh. She spoke in a cool, brisk voice. “Picture and resume. You’re number forty four, Josh.” Before she could say anything else to him, Josh turned to the table that had copies of the scripts scattered over it. He picked one up and walked back into the hallway where several actresses’ attention lingered on him.
 Another actor in the hallway waved at him. “Hey Josh, how did you do on that Chevrolet audition?” 
Josh gave a shrug. “You know how it is Carl. You win some and sometimes they choose the wrong actor.” Carl and several of the other actors laughed appreciatively. 
Carl held up his fist and smiled. “Right on, man.”
Josh observed that most of the actors and actresses were wearing lots of turquoise and Indian garb. It was the chosen style of the growing hippie movement in southern California. Being from New Mexico, and full-blooded Mescalaro, Josh grew up wearing similar clothes. These days he preferred the simple outfit of blue work shirt and jeans. He owned a pair of moccasins, but he liked the dusty old cowboy boots he’d spent five years training. Growing up, he was Tony White Feather to the locals. At eighteen, the young actor picked the stage name of Josh Smythe with the English spelling of Smythe. No one called him Tony White Feather anymore. Everyone in California knew him as Josh.
The dialogue for the sugar waffles was mostly lines like, “Boy, that’s good.” And “I love waking up to Bott’s Sugar Waffles.” There were three spots, three scripts. After reading through each of them several times, he had the lines down cold.
He caught the eye of a blond actress who had been watching him ever since he came in. She was a definite looker. What kind of nose did they call it? Pert? She had a pert nose. He gave her one of his blinding glamour smiles and watched her melt. He could feel the power of his good looks sweeping over the girl, making her weak-kneed. This was too easy. As he passed her in the crowded hallway, he gave her a wink and kept walking. Josh Smythe could have any woman he wanted, so he was choosy as to whom he wanted to seduce.
The head shot in his hand was an eight-by-ten black and white. In the picture, his eyes were dark and solemn, while his lips gave the hint of a smile. His features were sharp, almost chiseled. The cheekbones were high and his nose was slim and straight. His long, black hair was shiny and hung down to his shoulders. Josh’s dark complexion gave him a Mediterranean look. He could be Italian, Spanish, Middle Eastern, Filipino and of course, American Indian. He rarely thought about the God that blessed him with his handsome, multi-faceted features, but Josh knew he had a face that stopped women in their tracks and producers take notice.
Fighting the boredom of waiting, he flipped the head shot over to his resume on the back. At twenty-two, Josh Smythe had some impressive credits. Those included two national television commercials, numerous modeling jobs, and plenty of theatre. Most of his theatre experience was at the Santa Fe Repertory, but after eight months in Los Angeles, he had gotten several roles with a professional theatre on Wilshire Boulevard. He had just finished a six-week run as John Proctor in “The Crucible”. Although he was young for the role, he projected the maturity that the character required.
Josh had also read for a TV pilot and several feature films. He made most of the callbacks, but had not been cast. His agent, Becky, assured him that he was on the verge of stardom. He believed her. It took most actors years of auditions before they got “The Big Break”. Josh was willing to wait months, not years. And in the short time he’d been in Hollywood, he had accumulated a couple of years’ worth of credits.
A new face coming down the hall interrupted his career thoughts. Like Josh, this young lady drew long stares from her female competitors and the men. Heads turned at the petite figure as she passed. Her skin was pale and freckled. Her five foot, four-inch frame reached up to Josh’s shoulders as she walked by him. Her short, chestnut brown hair and green eyes were an unbeatable combination. She had a carriage of confidence as she strode down the hall. He suspected she was pretty well built too, but unlike the other actresses, she was dressed conservatively in a simple brown dress and blue blouse. She’s dressed like a nun, he thought as she reached the sign-in desk.
Josh cocked his head as he tried to read the name on her headshot. She held the photo upside down as she signed in. Cory Stilling. The name sounded familiar, but he was sure if he’d ever seen her face, he would never have forgotten it.
Cory Stilling walked back into the hallway to wait for her number to be called. She found a spot next to Carl, across from Josh. Her eyes scanned the script.
 Carl nudged her. “Hey woman.” 
She looked at Carl. “Oh, hi, Carl. How’s my fellow cattle call buddy?”
“I keep visiting the old show biz corral.” Cory gave a low, throaty laugh. Her green eyes glittered like emeralds. Josh felt himself drowning in them.
“How about that earthquake we had this morning?” Carl asked her.
Cory scrunched her face up at him. “Earthquake? That was a tremor. You must be new to California.”
Carl laughed. “Been here three years and I haven’t gotten use to those little land shakers.”
Josh was still trying to think of a good line to use on this enchanting young woman. He eyed her picture once more. Yep, it said her name was Cory Stilling. “Excuse me, are you Cory Stilling?” he asked.
 Cory stopped laughing and gave Josh a quizzical look. “So far, yes. Do I know you, stranger?”  Josh crossed the hallway and squeezed in between Cory and a chagrined Carl.
“I’m Josh Smythe. You seemed familiar. I thought that maybe we’d worked together. Weren’t you in a Concord Bank spot about a month ago? I played the main customer.” Cory looked deep into Josh’s eyes. He had not expected such directness and felt an unfamiliar emotion. Embarrassment. It was like she knew he had handed her a line and that she also knew he was the type to hand girl’s smooth lines. In fact, her face was now turning into a frown.
“I don’t think so,” she said. “I think I would have remembered.”  
 Carl tapped Josh on the shoulder. “Cory and I keep getting thrown together at these auditions.”  The shorter actor was leaning over Josh’s shoulder, trying to reclaim his spot next to Cory. “By the way, did you get that Westinghouse spot, Cory?”
 She shook her head at Carl. “They thought I was too young to be the mother of a three-year old.”
Josh agreed with that. She was about his age, but she was still castable as a teen. Her eyes seemed ageless. He was so lost in them, he didn’t realize she was speaking to him.
“I’m sorry Cory, what was that?”
“I was wondering if you had the lines memorized yet,” she said.
“Oh, sure.”
“Maybe we could go over the script together.”
“Yeah, sure. That sounds good.” Suddenly he was sounding like a kid on his first date. Josh was having an attack of  “Tongue Tie” as he followed Cory down the hall. She opened a door.
“We can work in here.”
 Carl called to them in a disappointed voice. “I’ll let you guys know if they call for you.”
It was a break room with a cola machine and some tables. There was another pair of actors going over the waffle dialogue as Cory led him over to a quiet corner.
“This is a good spot.” They sat and looked over the script.
“You want to read Customer Number One?” Josh asked. Cory quickly scanned the script and laid it face down.
“Yes, I’ll be Number One.”
“You memorized it in one reading?” he asked.
“I’m a quick study.”
“Me too.”
“Then let’s do it,” she smiled.
They went over the dialogue several times. Josh thought she had a light, natural delivery. Her voice had the right lilt to it. He reached over to look at her picture and resume.
“May I?” 
Cory shrugged. “I’m not shy.” Her picture was vibrant. Unlike the Mona Lisa smile Josh had on his, Cory’s smile was wide and open. Her face crackled with friendliness, intelligence and depth. He could see that the camera loved her face. He flipped the picture over and scanned her resume. Three years with the Guthrie Theatre in Minnesota. A national toothpaste spot, a few minor-speaking roles in several major films. He looked up from the resume.
“You worked with Mickey Yulin?” Cory nodded. “He’s one of my favorite directors.” he mused.  He looked at the credit of the Mickey Yulin film. She had played the part of Louise in “The House on Harrow Row”. “Which part was Louise?”
 Cory gave that infectious, throaty laugh. “If you blinked, you missed me. I was Julie Christie’s co-worker. My line to her was, “Don’t let that bloke fool you Lacy, he’s full of salt and vinegar.” She spoke the line with a perfect cockney accent, then laughed again. Her face was a mixture of pride and embarrassment. Josh had seen the film about two years before. He thought back to the scene and remembered the part of Louise as a gum chewing, heavily made up secretary with blond hair.
“That was you?”
“Yeah. If you remember, I had this yellowish blond fright wig and wore ten pounds of orange pancake on my face.” 
Josh nodded. “Man, they sure uglied you up for that part. But you were good. You had a few more lines like that.”
“A few. It was fun. I got a free trip to London and had dinner with Sean Connery, Julie Christie and Mickey Yulin. For a while I was a big movie star.” Her demeanor told him she wasn’t bragging. She actually seemed shy about it. 
Josh decided he had to seduce her. “How about dinner after the audition?” 
A shadow crossed her face. “I don’t even know you.”
 He pushed his resume across the table to her. “It’s all there in black and white.” Her eyes didn’t leave his. The direct stare wasn’t malevolent, but it was disconcerting.
“You’re sweet Josh, but I don’t think so.” This was an unexpected pail of cold water in the face. Josh had never been rejected with such conviction. He gave her his best seductive look and gave her his “husky, smoky” voice.
“Why don’t we just go to my apartment then?” There. He’d laid it out on the table. Her eyes narrowed.
“I don’t think so Josh. I don’t go into that type of stuff.” He was flummoxed.
“So what kind of scenes are you into, pretty lady?”
 She shook her head. Her smile had faded. “Not into those scenes.” Cory took her picture and resume and stood up.
“So help me out here,” said Josh. “What turns you on?”

 She walked to the door and turned to him. “I guess the only thing that really excites me is God.”  She smiled, then disappeared down the hallway.